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Taken Action Last edited by crazypie41, on 03/10/2008. 0 comments. More scene info.

INT. The Buckingham Palace — Midday

crazypie41 - on 03/10/2008 2 versions.

A siren sounds a burgeler runs out of The Buckingham Palace.

crazypie41 - on 03/10/2008

EXT. Outside the Buckingham Palace

crazypie41 - on 03/10/2008

Bob - Police Officer

After Him!

crazypie41 - on 03/10/2008

Two cops run after the thief.

crazypie41 - on 03/10/2008

The theif breaks open a car window and dives into the car.

crazypie41 - on 03/10/2008 2 versions.

The cops jump intop there cars... and the chase is on!!!

crazypie41 - on 03/10/2008

The thief speeds down a road.

crazypie41 - on 03/10/2008
Never Never Land Last edited by tagline, on 01/11/2008. 1 comment. More scene info.

EXT. Busy City Street — Late Afternoon

tagline - on 01/11/2008

AARON, a fluffy haired teen dressed up skate style, moves against the pedestrian flow. He is oblivious to the jostles and bumps engrossed as he is to his private soundtrack belting through over sized cans fed by his ipod.

tagline - on 01/11/2008

AARON

...Sleep with one eye open...Gripping your pillow tight, Exit light, Enter Night...

tagline - on 01/11/2008

Aaron fumbles in his jacket, drawing out a lighter and a crushed pack of cigarettes. He draws out a smoke, bent but salvageable. He tries to light it but there are too many people and the wind is too strong.

tagline - on 01/11/2008 2 versions.

AARON (CONT'D)

Goddamn.

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He edges into an alley for cover. The wind is still too strong... or his lighter's screwed, hard to tell.

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AARON (CONT'D)

Lord, grant me the power over fire... Goddamn, Goddamn.

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Aaron looks up. A DUMPSTER stands a foot out from the wall. He tucks in behind it to get a light.

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A GARBAGE TRUCK enters from an intersecting alleyway, reverse signal blaring. We hear an unpleasant CRUNCH as the truck connects with the dumpster.

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As the truck is emptying the dumpster...

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AARON'S HEADPHONES

Exit light, Enter night... Take my hand, We're off to never never land...

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In central park zoo, a girl pulls her mom's arm and yells "We'll be late!" and drags her over to the ampatheater, just as a display begins. In the distance, she sees a minute copper-colored gleam in the distance.

jelly_writer411 - on 03/10/2008
Film me Last edited by tagline, on 01/14/2008. 5 comments. More scene info.

This scene has 1 branch.You are viewing the primary branch. Branch details

EXT. Busy Street — Late Afternoon

tagline - on 01/14/2008

BILLY, a long haired surfer type, and JAMES, a wannabe sorta long haired surfer type are heading along the pavement. JAMES is annoying other pedestrians by filming them with his mobile.

tagline - on 02/01/2008 2 versions.

JAMES

Do somethin' funny for YouTube Mr Corporate Slave! Hey darlin' show us the bondage gear you've got in that briefcase!

tagline - on 01/14/2008

BILLY

Dude look!

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A police car is parked on the side of the road with the trunk open. There doesn't appear to be any cops around.

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BILLY (CONT'D)

Dude, dude, film me doin' this!

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James points the camera at Billy as he checks out the cop cars contents.

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JAMES

911 in progress - hold up at the First National Bank. Billy supercop fetches his Uzis from the trunk - he's gonna teach the bad guys one hell of a lesson!

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Billy pulls out a NAIL STRIP (for ending high speed pursuits) out of the back. He holds it up posing.

tagline - on 01/14/2008 3 versions.

JAMES (CONT'D)

That's cool! I'm gonna send this to Mike to drop onto YouTube. You're gonna be famous in like 10 seconds flat.

tagline - on 01/14/2008 2 versions.

As James presses send, Billy launches the nail strip across a lane of traffic. A car drives straight over the spikes. We hear the SQUEAL of tires then a gut wrenching CRUNCH. A PEDESTRIAN off screen screams.

tagline - on 01/14/2008 2 versions.

PEDESTRIAN (O.S.)

Oh my god. They've hit a pole. I think they're dead!

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JAMES

Dude I can't think of a clever ending....

tagline - on 01/14/2008
Beggar at the ATM Last edited by tagline, on 01/11/2008. 2 comments. More scene info.

EXT. ATM Machine — Late Afternoon

tagline - on 01/11/2008

At the intersection of Broadway and Sixth Avenue, across the street from Macy's Department Store, tourists file past a BEGGAR staking out an ATM. JAMES steps up to the machine.

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BEGGAR

Change please.

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JAMES

What?

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BEGGAR

Can you spare some money for a man down on his luck?

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JAMES

Er, no. I don't have anything on me. That's why I'm here at the ATM.

leica - on 01/20/2008 2 versions.

BEGGAR

I can wait while you get some from the machine.

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JAMES

You joking? This thing only gives out 20s and 50s!

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BEGGAR

I got change if you can't afford a 20.

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JAMES

Fuck off.

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James takes his cash and strides away.

tagline - on 01/11/2008

BEGGAR

Faggot.

leica - on 01/20/2008 3 versions.

Smiles brightly as a man steps up to the ATM.

leica - on 01/20/2008 1 comment

Beggar (CONT'D)

Change please.

leica - on 01/20/2008
What happened to that penny? Last edited by tagline, on 01/25/2008. 2 comments. More scene info.

EXT. Base of Empire State Building — Late Afternoon

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A man - ARNOLD, uptight wearing a suit - and his wife - MARIE, similarly uptight with a perm and fashionable clothes about 30 years out of date - stand on the sidewalk.

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ARNOLD

So Marie, are we going inside or not?

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MARIE

It's gonna cost too much money. We need to be careful with our money with the economy and all?

tagline - on 01/25/2008 2 versions.

ARNOLD

We don't even know if it costs money yet, Marie.

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MARIE

If we go inside they make it impossible for you to leave, they trap you, and then we'll have to pay their exorbitant money!

tagline - on 02/01/2008 2 versions.

Arnold throws his head back in exasperation. He appears to notice something. A glinting object is falling rapidly from the sky.

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ARNOLD

Jesus Christ!

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Arnold leaps backwards.

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Marie

Arnold! Don't take...

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A penny neatly bounces off Marie's head.

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MARIE (CONT'D)

Ow, son of a...

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ARNOLD

Well, whatda you know. A penny falling from the sky doesn't kill you. (beat) Shame.

tagline - on 01/25/2008
Relationship ends Last edited by jimmegee, on 01/21/2008. 1 comment. More scene info.

INT. SMALL APARTMENT KITCHEN — LATE AFTERNOON

jimmegee - on 01/21/2008

JOHN stands with his back to the large refrigerator, his arms crossed and a scowl on his face. RICH, sitting at the small lino-covered table, is about to burst into tears and is not looking JOHN in the eye.

jimmegee - on 01/21/2008

RICH

Yeah... you're right...

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There is a distinct, lengthy pause during which JOHN shows no willingness to respond and RICH bursts into tears, screwing his fists into his eyes.

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JOHN

It's no use crying any longer, Rich, neither of us can go on like this.

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JOHN unfolds his arm and after a short pause walks brusquely past us, the force of his departure making the refrigerator rock. A number of mundane domestic items come crashing down from the top of it. RICH stops crying as he surveys the mess, staring at the items, and lifts his gaze to look out at the window and the Manhattan skyline beyond.

jimmegee - on 01/21/2008
Twisties Last edited by tagline, on 01/19/2008. 1 comment. More scene info.

INT. Central Station — Late Afternoon

tagline - on 01/19/2008

A TWISTIES VENDING MACHINE stands by the wall. There is nothing in the machine except PACKETS OF TWISTIES. George - a bright looking post-grad - walks on screen. He wears a smart casual jacket and is carrying a satchel.

tagline - on 01/19/2008

GEORGE

A Twisties machine. Finally!

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George puts money in the machine pushes the A then 1. A packet of twisties rumbles forwards then falls into the collection chute. George pushes forward the protective flap and retrieves his prize. He opens the packet.

tagline - on 01/19/2008 2 versions.

George (CONT'D)

How good does that smell?

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Aaron

Hey you, where'd you get those twisties?

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George

Machine just there.

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Aaron

Oh cool. Thanks man.

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George looks around. He has this niggling feeling that something dramatic or devastating is about to happen... Nope.

tagline - on 02/02/2008 4 versions.
Buzz Kill Last edited by idego, on 02/02/2008. 3 comments. More scene info.

INT. Fenced Backyard (Suburbs) — Late Afternoon

idego - on 02/01/2008

A man paces back and forth anxiously with a cell phone pressed to his ear.While unfocused in the background is the figure of a medium sized mutt sniffing around the grass.

idego - on 02/02/2008 2 versions.

Stoner

No...I'm not messin' with you, man. The fuckin' dog ate my stash. I'm out here in the backyard waiting for him to convert it into shit nuggs.

idego - on 02/02/2008

The Stoner stops pacing and sits down on a lawn chair near the back door. The camera now focuses on the dog who is contently rolling around in the grass.

idego - on 02/02/2008

Stoner (CONT'D)

Settle down, man...I poured nearly a whole bottle of x-lax into his food. Sucker lapped it all up real good. I hope he shits his lower intestine out. I was rolling a fuckin' blunt and I needed to take a shit myself, so I left it on the coffee table and when I got back it was gone and the damned mutt's snout was sniffing around for crumbs.

idego - on 02/02/2008

An expression of immediate need crosses over the dog's disposition. The dog squats and starts pumping out the feces onto the lawn.

idego - on 02/02/2008

Stoner (CONT'D)

Dude, I gotta go. I'll call you back.

idego - on 02/02/2008

The Stoner jumps up from the chair and pulls two dish washing gloves from his pockets. He slips them over his hands and down his forearms and makes his way over to the steaming pile. The camera zooms in on the stoner's face from the crap's point of view. A look of utter disgust as a squishy sound is heard.

idego - on 02/02/2008

The camera then pans around to the house and gets closer to a window to the left of the door. It stops just before the glass so the audience is able to see into the bedroom. A younger boy (Stoner's brother) is sitting on his bed watching Family Guy on T.V. and smoking a freshly rolled joint. The Stoner's sack of ganja sits next to him on the bed.

tagline - on 02/02/2008 2 versions. 1 comment

INT. The Words "Buzz Kill" appear — Fade out

idego - on 02/02/2008 2 versions.
Long Way down Last edited by tagline, on 02/04/2008. 0 comments. More scene info.

EXT. Roof of old building — Late Afternoon

tagline - on 02/04/2008

MARK - skinny guy - and RUFUS - surprisingly not actually a dog, just another skinny guy with slightly lighter hair - peer over the edge of the building. A rusty fire escape leads to an alley below.

tagline - on 02/04/2008 2 versions.

MARK

That's a long way down.

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RUFUS

Only a few stories.

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MARK

Yeah, like six stories.

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RUFUS

I'm not jumping, I'm going to use the fire escape.

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MARK

I don't think this rusty thing really counts. I mean, it looks like it is coming out of the wall in some places.

tagline - on 02/04/2008

MARK shakes the railing near him and it really doesn't look too safe.

tagline - on 02/04/2008

MARK (CONT'D)

Lets take the internal stairs.

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RUFUS

Na-ah. It's shorter down the side of the building. Anyway, ya gotta try out things like fire escapes otherwise you'll never know what to do if there really is a fire.

tagline - on 02/04/2008

RUFUS climbs over the ledge turns to face Mark and steps down the first two rungs.

tagline - on 02/04/2008

RUFUS (CONT'D)

See. All good. The council has to safety check these things regularly you know.

tagline - on 02/04/2008

Bolts pop from the wall and the whole rusty framework jerks backward falling into the void.

tagline - on 02/04/2008 2 versions.

RUFUS (CONT'D)

Oh shit.

tagline - on 02/04/2008
Big City Woman Last edited by elvenmaiden, on 02/28/2008. 1 comment. More scene info.

EXT. Suburban city street — Afternoon

elvenmaiden - on 02/28/2008

Intro - A cheerful tune being whistled. (Not part of the scene, but music added.) The sun is shining. Birds are chirping. A beautiful day by anyone's standards. A row of brick buildings; apartments. Slight variations in colour, otherwise all identical. The music fades out. Clack clack. High heeled shoes striking pavement. A woman, SANDRA, dressed in a red business skirt and jacket walks down the sidewalk carrying a briefcase. Nose in the air. Eyes fixed ahead. Two or three kids are playing outside of their building, drawing with chalk on the pavement. She walks obliviously over their art, crushing a piece of pink sidewalk chalk under her heel.

elvenmaiden - on 02/28/2008 3 versions.

KID

Hey!

elvenmaiden - on 02/28/2008

The woman does not notice. She adjusts her sunglasses. Clearly she is too important for the world to interrupt. She passes a convenience store parking lot where some teenage boys are loitering. One of them whistles. Without blinking an eye, she raises her hand and gives him the finger. The other boys laugh. The camera now focuses on her ankles and feet, tracing her steps. As she approaches a cross-walk, we notice a large piece of gum left on the sidewalk just before the road. Back to full-view.

elvenmaiden - on 02/28/2008 4 versions.

Suddenly the sound of a bus passing quickly in front of the screen, obscuring her from view. The camera follows it, pausing a second on the road it disappeared down. We do not know if the woman was hit by the bus or not.

elvenmaiden - on 02/28/2008 2 versions.

(unfortunately?) SANDRA is clearly unharmed. She continues across the road and down the sidewalk. We see her start to "shrink" into the distance, as the camera stays in place. The camera pans down. The sidewalk no longer has gum on it. Pan up again to the woman in the distance. Whistling music resumes.

elvenmaiden - on 02/28/2008
Dancing babes Last edited by jimmegee, on 03/11/2008. 0 comments. More scene info.

INT. DANCE STUDIO — DAY

jimmegee - on 03/08/2008
Infinite Time and Space Last edited by toolbar, on 07/23/2008. 0 comments. More scene info.

INT. A class room — morning

toolbar - on 07/23/2008