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This is your first scene. Last edited by MombasaFilms, on 09/16/2014. 0 comments. More scene info.

*cue "hello vietnam" by johnny wright

MombasaFilms - on 09/17/2014 2 versions.

A ROGERS/CALL PRODUCTION

MombasaFilms - on 09/16/2014 2 versions.

*SHOTS OF VIETNAM/A-BOMB TESTING

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FADE TO: BLACK

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FADE IN FROM BLACK

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EXT. OUTSIDE VICTIMS HOUSE

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SHOT OF CAR PULLING UP AND STOPPING ON THE SIDE OF THE ROAD. CLOSE UP OF HEAD LIGHT. HEAD LIGHT TURNS OFF.

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TITLE

" THE FIXER "

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SHOT OF MAN GETTING OUT OF THE CAR. ONLY SHOWING HEELS AND FEET.

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SHOT OF CAMERA COMING UP OVER THE PASSENGER SIDE OF THE CAR. WE CAN SEE THE BACK OF THE KILLER. HE IS MOVING UP TO THE HOUSE

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INT. VICTIMS HOUSE

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SHOT OF KILLER COMING IN THROUGH THE DOOR AND WALKING TOWARD THE HALLWAY/CAMERA

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SHOT OF CAMERA PANNING UP FROM THE CALF OF THE KILLER ON RIGHT SIDE. HE IS WALKING TOWARDS THE BATHROOM

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*we can hear the shower running and whistling coming from the victim*

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SHOT OF OPPOSITE SIDE OF SHOWER. WE CAN SEE A BLACK FIGURE WARP THROUGH THE CURTAIN.

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SHOT OF HALLWAY LIGHT BEAMING IN HALLWAY. WE CAN HEAR THE SCREAMS OF THE VICTIM.

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SHOT OF KILLER STABBING DOWN. KILLER IS UNSEEN

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SHOT OF VICTIMS FEET WHERE WE CAN SEE THE BLOOD RUNNING DOWN IN THE DRAIN OF THE SHOWER

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SHOT OF KILLER STABBING DOWN. AS SOON AS KILLER STABS DOWN. CUT TO BLACK.

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FADE IN

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We can see the body of the victim sprawled out face down. The victim's blood is seen around the body and in different spots around the area. We can also see Detective Call dissecting the scene. The coroner is seen also filling out papers. The scene is very detailed. Multiple random shots are shone during the duration of the opening narration.

MombasaFilms - on 09/17/2014

NARRATOR (call) O.S.

Stacy Lane. 43 years of age. No Kids, no husband. Robert Kiev. 24 year old businessman from the Bronx. And now, 22 year old David Cane. No immediate family members. What do all these people have in common? That's what I'm here to find out.

MombasaFilms - on 09/23/2014 4 versions.

Detective Call picks up a note. The letters look like they've been cut out of a magazine to hide the killer's handwriting. Call reads...

MombasaFilms - on 09/17/2014 2 versions.

NARRATOR (call) O.S. (CO

"Hello. I am the Fixer. Mr. Cane here has worked at the old Amberon Factory on Martin and McKenna for some time now. What his current records fail to show is his multiple instances of domestic violence against his past 3 girlfriends, all of which were committed in his very own household, Mr. Call

MombasaFilms - on 09/23/2014 5 versions.

FLASHBACK TO DOMESTIC VIOLENCE

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SHOT OF WINDOW FROM LAWN. WE CAN SEE TWO SILHOUETTES IN THE WINDOW. THE MAN STRIKES THE WOMAN DOWN

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Narrator (call) o.s.

I am the Fixer. Plain and simple."

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SHOT OF CALL'S FACE AS THE WORDS "I AM THE FIXER. PLAIN AND SIMPLE" REPEAT.

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Detective Call puts the note down. The coroner comes over with his clipboard and notes.

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POV SHOT OF DEAD BODY WITH CALL IN FOREGROUND, CORONER IN BACKGROUND

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Coroner

So he knows your name now, huh?

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Coroner (CON.T)

Anyways, The guy did in fact work at the Amberon factory. Worked there for 23 years. Made goods and such for the soldiers who fought in the war. I read that note you got there. Gotta admit the guy's good. Kills the killers. Ain't nothin wrong with that if ya ask me. Let me know when you're done inspecting the body.

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Call stands up and walks out of the shot

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FADE OUT:

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FADE IN:

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INT. CALL'S CAR

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WE CAN SEE DETECTIVE CALL IN HIS CAR DRIVING SOMEWHERE. HE IS NARRATING OVER THIS SCENE

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NARRATOR (cALL) o.S

Back in Vietnam, the VC would never bring back their dead. Sometimes they'd just let me lay in the streets of Hue City where I was. Just terrible. But I got over the bodies. The smell. The sight. I just...forgot about them.....I am the Fixer. Plain and simple. Those words echoed in my mind for quite some time. Along with the occasional "Mr. Call", but it was only a matter of time.

MombasaFilms - on 10/01/2014 4 versions.

EXT. SOMEONES HOUSE

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WE SEE THAT WE'RE BACK WITH THE KILLER. HE IS LEANING OVER A BODY WITH A KNIFE

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SHOT OF BEHIND KILLER

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WE CAN NOT SEE HIS FRONT SIDE OR THE FRONT SIDE OF THE BODY WHICH IS ON HIS OR HER SIDE.

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SHOT OF BEHIND KILLERS SHOULDER

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WE CAN SEE BLOOD ON THE WAIST OF THE BODY. A KNIFE, COVERED IN BLOOD ON THE OTHER SIDE OF HIS BODY. KILLER PICKS UP THE KNIFE AND WIPES IT OFF. WHEN HE IS FINISHED HE PLACES A NOTE ON THE BODY

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FADE OUT:

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SHOT OF DETECTIVE CALL ON THE SCENE

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ANOTHER BODY HAS BEEN FOUND IN AN ALLEY ((OR SOME PLACE ELSE DEPENDING ON WHAT WE WANT TO DO)).

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CALL IS READING A NOTE. THE CORONER IS STANDING NEAR HIM.

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CALL

This one has a location.

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coroner

A location? The location to where?

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call

Grevideer Park.

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CUT TO: GRIVIDEER PARK.

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DETECTIVE CALL IS PULLING UP TO STAKE OUT THE PLACE.

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SHOT OF CALL WALKING UP TO THE NEARBY PLAYGROUND EQUIPMENT.

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CALL LOOKS DOWN AND DOES A DOUBLE TAKE AT THE GROUND. WE CAN'T SEE WHAT'S UNDER THE SPINNY THING OR WHATEVER THAT IS IN THE PARK, BUT WE CAN SEE THAT CALL IS CHECKING IT OUT.

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CALL REACHES HIS HAND UNDER THE SPINNY THING. HE PULLS OUT HIS HAND.

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DETECTIVE CALL HAS FOUND A KNIFE THAT APPEARS TO BE CLEAN. BUT THERE IS A SMALL BLOOD STAIN NEAR THE HANDLE.

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CALL LOOKS UP.

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MIDDLE SHOT OF CALL (WAIST UP)

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SHOT FARTHER AWAY. THEN ANOTHER SHOT REALLY FAR AWAY.

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CUT TO: BLACK

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FADE IN:

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INT. CALL'S OFFICE

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D.S. WALKS INTO CALLS OFFICE. HE COMES IN SO FAST HE IS STILL HANGING ONTO THE DOORKNOB AS HE CALLS OUT.

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DESK SERGEANT

We have another location. 5th and Bosway. Wanna go check it out?

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Shot of Call looking up

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CUT TO: CALL DRIVING UP TO THE PLACE

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CALL GETS OUT. IT IS JUST HIM. HE TAKES OUT A GUN

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Some shots of Call looks around and walking around. Music makes the scene intense. Call runs into a body sprawled out. Call flips the body on it's back. It's the coroner. Call flinches.

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After a detailed observation of the coroner, Call starts to walk back to his car to call of backup, until a noise pierces the air. It sounds like a metal bucket being dropped.

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Call

Who's there?

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Silence

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call (CONT'D)

You better come out right now with your hands up. I want to see them! This is now a crime scene!

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A body runs out from the side of Call. Call turns and lets out a shot but not before the man grabs his arm and yanks it upwards. The shot echos. The two men fall to the ground. The man gets up and runs in the opposite direction he came, as if running right over Call to keep going. But before Call can grab his gun, the man is out of sight.

MombasaFilms - on 09/30/2014 2 versions.

Call gets up, very confused about what just happened.

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Call starts to chase the faint echoing voice of the man, until he can hear no more. He is gone.

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Call looks down. He sees blood on his shirt, down and to the right. He has been stabbed, but is in shock. Call runs to grab the coroners body. There is a man standing over him.

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Call (CONT'D)

Freeze!

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The man raises his hands. His back is facing Call and the camera.

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call (CONT'D)

Slowly turn around. Keep your hands up!

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The man does not turn around. Call keeps his gun aimed the guy's head. As Call starts to walk over to the man, the man turns around and before Call can let off a shot, the man grabs his arm. The pain in his side has now come to be.

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Call tries to punch the man, but blocks it and get's a shot in Call's gut. His weapon falls to the floor.

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Call tackles the man, unable to get him down, but at least he get's some shots in on his stomach.

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The man picks up Call and they both go down to the floor. Call his getting shots to the torso.

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The man get's up

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Killer

Come on, Detective Call. Is that what they train you to do in the academy?

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Call gets up. He looks into the killers eyes (all we can see). and runs toward him. The killer tries to punch Call, but he blocks it. Several punches are thrown, but Call blocks most of them. Some hit him in the face. Call is throwing some punches also. Some are connecting.

MombasaFilms - on 09/30/2014

The killer grabs call and throws him to the ground. The killer gets on top of Call and starts to choke him. A very intense scene becomes very serious. The fingers tighten around his neck, Call looks blue. The killer lets one hand go.

MombasaFilms - on 09/30/2014 2 versions.

Gunshot.

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A gunshot echos throughout the place. The killer's eyes widen. Call starts to breathe again.

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Call has been shot in the legs. He is almost immobile.

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The killer gets up, and starts to run. Call is left on the ground, almost dead. After a long while, Call starts to get up. He starts to walk towards the Coroner. He starts to drag his friend back to the entrance. You can hear the voices outside of the places.

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Local police

Come out with your hands up, Mr. Call! You're surrounded! Come out now, peacefully, or we'll take the necessary measures. We're giving you 6 seconds! 6!....5!......4!....

MombasaFilms - on 10/01/2014 2 versions.

The camera is facing Call as he let's go of the leg and walks towards the camera. He walks out of the shot, right next to the camera.

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local police (CONT'D)

3!.....2!.....

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Many, many shots ring out throughout the place, although we can't see anything happening.

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***Picture the ending of Reservoir Dogs***

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After the shots ring out..

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FADE TO BLACK

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Cue MORE AND MORE by WEBB PEIRCE

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End Credits

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Shots of the crime scene where CALL was killed. Very gruesome. Including pictures from sights where we haven't scene in the back of the actual killers place.

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FADE IN:

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Open room. Nobody is in the room. SGT. walks in

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SGT.

Here's your new office, treat it well now

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We can see a guy come into the room carrying a box.

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SGT. (CONT'D)

Like it?

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Guy

It's very nice, thank you for promoting me, sir.

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SGT.

Coffee's in the back, let me know if you need anything.

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The guy walks over to his desk, the SGT comes up to the side and lets a big manila folder fall to the desk.

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SGT. (CONT'D)

This is your first assignment. New evidence just came up in the case of Mr. Call. I need you to look into it for me. Can you do that?

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An eerie silence falls in the room. The guy has a shocked look on his face.

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Guy

Yes sir, I will have something for you by this afternoon. Thanks.

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The Sgt. smiles as he walks out the door.

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The guy goes to sit down at his desk. There is a shot of the camera at the front of the desk zooming in on the guy's face until is fully zooms into the guy's eyes.

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This is the precise moment when the audience is supposed to realize that this man has been the killer all along.

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CUT TO: BLACK

MombasaFilms - on 10/01/2014 2 versions.
 
 
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